People who have inspired me…..

A lot of people ask who inspired me.  To be honest when I first starting shooting, I was only influenced by music photography.  I would see photographs by  Jim Marshall, Ross Halfin, Neil Zlowzower and was fortunate to be friends with music photographer Ken Settle. Seeing their work really helped inspire me to be the best photographer that I could be.  Especially Ken Settle, who has been a good friend and influence to me throughout my 30 years as a photographer. As I became a professional  and got older, I  started really appreciating the history of photography and film. I recently seen photos from a session Irving Penn did for Vogue in Japan in the late 1960s and It made me feel inspired all over again.  Unfortunately I’m not a fan of a lot of new digital photography.  Although Digital is an amazing tool to work with for a seasoned pro film photographer, I feel its made a lot of the newer photographers undisciplined, with boring images and no sense of their own style.
Here are a few of the photographers who will always inspire me..


Ansel Adams.. A true pioneer of photography. Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American photographer, best known for photographs of California’s Yosemite Valley. Adams also authored numerous books about photography, including his trilogy of technical instruction manuals (The Camera, The Negative and The Print); co-founded Group f/64 along with other masters like Edward Weston, Willard Van Dyke, and Imogen Cunningham; and created, with Fred Archer the zone system. The zone system is a technique which allows photographers to translate the light they see into specific densities on negatives and paper, thus giving them better control over finished photographs. Adams also pioneered the idea of visualization (which he often called ‘previsualization’, though he later acknowledged that term to be a redundancy) of the finished print based upon the measured light values in the scene being photographed.











Leni Riefenstahl  was a German film director and Photographer widely noted for her aesthetics and innovations as a filmmaker. After her death, the Associated Press described Riefenstahl as an “acclaimed pioneer of film and photographic techniques”.  Der Tagesspiegel newspaper in Berlin noted, “Leni Riefenstahl conquered new ground in the cinema”. The BBC said her documentaries “were hailed as groundbreaking film-making, pioneering techniques involving cranes, tracking rails, and many cameras working at the same time”.  She made her career as not only an Actress, but also as a Film Maker, War Reporter and Photographer. Living in Germany at the time of the Third Reich her greatest success was made with the documentary film “Triumph of the Will” named after the Third Reich Party Congress Rally 1934 in Nuremberg which got the highest awards: The gold medal in Venice in 1935 and the gold medal at the World Exhibition in Paris in 1937. However, at the end of the war this film destroyed Leni Riefenstahl’s career, for now it had no longer been recognized as a piece of art but been condemned as a National Socialist propaganda film. Her world-famous film about the 1936 Olympic games made the same experience. That film also did get the highest awards: the gold medal in Paris in 1937, the first price in Venice as the world’s best film in 1938, the Olympic Award by the IOC in 1939, and in 1956 it had been classified as one of the world’s best ten films. Most of the negatives for Riefenstahl’s finished films and other production materials relating to her unfinished projects were lost towards the end of the war. The French government confiscated all of her editing equipment. After years of legal wrangling these were returned to her, but the French government had reportedly damaged some of the film stock whilst trying to develop and edit it and a few key scenes were missing although Riefenstahl was surprised to find the original negatives for Olympia in the same shipment.
As a photographer, she soon gained the world’s elite after the war. Photo reportages about her stay with the Nuba were first published in the magazines Stern,The Sunday Times Magazine, Paris Match,L’Europeo, Newsweek and The Sun. Her illustrated books also earned her further honours and awards.At the age of 71, Leni Riefenstahl fulfilled a dream to herself, she had cherished for long: She attended a diving course to be able to also work as an underwater photographer in the future. Soon she became a master in this profession too. With her two illustrated books,”The coral gardens” and “The wonders under water” she had caused a worldwide sensation and got further honours and awards for them.In 1987, Leni Riefenstahl published her  Memoirs which meanwhile have come out in 13 countries and reached a high circulation mainly in Japan and in the USA. In 1992, the documentary film Die Macht der Bilder was produced over several months at original scenes where she herself could express her opinion about her life and her artistic work. This film too got several international awards – among them an Emmy Award in the USA and in Japan the special prize of the film critics. In his book “The Story of Film”  film scholar Mark Cousins claims, “Next to Orson Welles and Alfred Hitchcock, Leni Riefenstahl was the most technically talented Western film maker of her era.”